Женщины-муралистки: American Women Artists: From Early Indian Times to the Present. P. 430–434.
Джуди Бака: Rickey C. The Writing on the Wall // Art in America. May 1981. Vol. 69. No. 5. P. 54–57; Mills K. The Great Wall of Los Angeles // Ms. Magazine. October 1981. P. 56–58; The Big Picture: Murals of Los Angeles. London and Boston, 1988; commentaries by Stanley Young.
Сьюзан Лейси: Roth M., Suzanne Lacy: Social Reformer and Witch // The Drama Review: A Journal of Performance Studies. Spring 1988. Vol. 32. Cambridge, MA. P. 42–60.
Джуди Чикаго и «Званый ужин»: Butterfield J. Guess Who’s Coming to Dinner? An Interview with Judy Chicago // Mother Jones. January 1979. P. 20–24; Judy Chicago: In Conversation with Ruth Iskin // Visual Dialogue. March-May 1978. Vol. 2. P. 14–18; Lippard L. Judy Chicago’s ‘Dinner Party’ // Art in America. April 1980. Vol. 68. No. 4. P. 115–126; Snyder C. Reading the Language of The Dinner Party // Woman’s Art Journal. Fall 1980/Winter 1981. Vol. 1. P. 30–34; H. Caldwell S. Experiencing The Dinner Party // Woman’s Art Journal. Fall 1980/Winter 1981. Vol. 1. P. 35–36; Rabinovitz L. Issues of Feminist Aesthetics: Judy Chicago and Joyce Wieland // Woman’s Art Journal. Fall 1980/Winter 1981.
Vol. 1. P. 38–41; Garb T. Engaging Embroidery
(a review of The Subversive Stitch) // Art History. 1986. Vol. 9. P. 132; Rickey C. Judy Chicago: The Dinner Party and Karin Woodley, The Inner Sanctum: The Dinner Party, in Visibly Female. P. 94–99; Chicago J. Through the Flower:
My Struggle as a Woman Artist. New York,
1982. P. 55; серьезный искусствоведческий анализ «Званого ужина» см. в: Jones A.,
ed. Judy Chicago’s Dinner Party in Feminist
Art History. Berkeley and Los Angeles, 1996.
Шигеко Кубота: Wooster A. -S., Shigeko Kubota: I Travel Alone // High Performance. Winter 1991. Vol. 14. P. 26–29.
Джоан Джонас: Simon J. Scenes and Variations: An Interview With Joan Jonas // Art in America. July 1995. Vol. 83. No. 7. P. 72–79ff.; цитата на с. 76.
Мишель Стюарт: Michelle Stuart: Voyages (каталог выставки, Judy Collischan Van Wagner, Hillwood Art Gallery, Long Island University, Greenvale, New York, 1985).
Гендер и минимализм: Gibson A. Color and Difference in Abstract Painting: The Ultimate Case of Monochrome // Genders. Spring 1992. No. 13. P. 123–152.
Глава 13. Новые направления: неполный обзор
Базовые источники: Wallis B., ed. Art After Modernism: Rethinking Representation. New York, 1984; Nairne S. State of the Art: Ideas and Images in the 1980s. London, 1987; Kaplan E. A., ed. Postmodernism and Its Discontents: Theories, Practices. London and New York, 1988; статистика о невключении женщин в выставки неоэкспрессионистов см. в: Rickey C. Why Women Don’t Express Themselves // The Village Voice. 2 November 1982; Frueh J., Langer C., Raven A., ed. New Feminist Art Criticism: Art, Identity, Action. New York, 1994; Ferguson R., Gever M., Minh-ha T., West C., ed. Out There: Marginalization and Contemporary Culture. New York; Cambridge, 1990; Woolf J. Resident Alien: Feminist Cultural Criticism. New Haven and London, 1995; Reed C. Postmodernism and the Art of Identity / ed. N. Stangos // Concepts of Modern Art. London and New York, 1994. P. 271–303; Rites of Passage: Art for the End of the Century (каталог выставки, The Tate Gallery, London, 1995); Pollock G., ed. Generations and Geographies in the Visual Arts: Feminist Readings. London; New York, 1996; McDonald H. Erotic Ambiguities: The Female Nude in Art. London and New York, 2001.
Ответная реакция: Heartney E. How Wide Is the Gender Gap? // Art News. Summer 1987. Vol. 86. P. 139–145; Schor M. Backlash and Appropriation // The Power of Feminist Art. P. 248–263.
Пересмотр женской идентичности: Walker A. In Search of Our Mother’s Gardens. New York, 1983. P. 372–374; цит. по: Larkin S. A. Black Women Film-makers Defining Ourselves: Feminism in Our Own Voice / ed. E. Deidre Pribram // Female Spectators: Looking at Film and Television. London and New York, 1988. P. 157–73; O’Grady L. Olympia’s Maid: Reclaiming Black Female Subjectivity // Afterimage. Summer 1992. P. 14–15; Iverson M. Fashioning Feminine Identity // Art International. Spring 1988. No. 2. P. 52–57.
Розика Паркер и Гризельда Поллок, Old Mistresses: Women // Art and Ideology. New York, 1981. P. 130; Gouma-Peterson T., Mathews P. The Feminist Critique of Art History // The Art Bulletin. September 1987. Vol. 69. P. 326–357; Tickner L. Feminism and Art History // Genders. Fall 1988. No. 3. P. 92–128; Woolf J. The Artist, the Critic and the Academic: Feminism’s Problematic Relationship with ‘Theory’ / ed. K. Deepwell // New Feminist Art Criticism. Manchester, 1995. P. 14–19. Мэри Келли цитируется по: Betterton R. New Images for Old: The Iconography of the Body // Looking On: Images of Femininity in the Visual Arts and Media. London; New York, 1987. P. 206.
Постмодернизм и феминизм: Owens C. The Discourse of Others: Feminists and Postmodernism / ed. H. Foster // The Anti-Aesthetic: Essays on Postmodern Culture. Port Townsend, Washington, 1983. P. 57–82; Solomon-Godeau A. Winning the Game When the Rules Have Been Changed; Art Photography and Postmodernism // Screen. November-December 1984. Vol. 25. P. 88–102; Linker K. Eluding Definition // Artforum. December 1984. P. 61–67; Linker K. Representation and Sexuality, in Willis, Art After Modernism. P. 391–416; Lee R. Resisting Amnesia: Feminism, Painting and Postmodernism // Feminist Review. Summer 1987. No. 26. P. 5–28. О постструктурализме см. в предисловии выше.
Художницы и медиа: A Different Climate (каталог выставки, Städtische Kunsthalle, Düsseldorf, 1986).
Барбара Крюгер: Squiers C. Barbara Kruger // Art News. February 1987. Vol. 86. P. 77–85; Owens C. The Medusa Effect or, The Specular Ruse // Art in America. January 1984. Vol. 72. No. 1. P. 97–105; Kruger B. (каталог выставки, National Art Gallery, Wellington, New Zealand, 1988).
Дженни Хольцер: Siegel J. Jenny Holzer’s Language Games // Arts Magazine. December 1985. Vol. 60. P. 64–68; Foster H. Subversive Signs // Art in America. November 1982. Vol. 70. No. 11. P. 88–92; Auping M. Jenny Holzer. New York, 1992.
Синди Шерман: Cindy Sherman (каталог выставки, Whitney Museum of American Art, New York, 1987) / essays by P. Schjeldahl, L. Phillips; Krauss R., Bryson N., Cindy Sherman, 1979–1993. New York, 1995; Danto A., ed. Cindy Sherman: Untitled Film Stills. New York, 1990.
Шерри Левин: Taylor P. Sherrie Levine // Flash Art. Summer 1987. No. 135. P. 55–58; Marzorati G. Art in the (Re)Making // Art News. May 1986. Vol. 85. P. 91–98.
Культурный империализм: Clifford J. Histories of the Tribal and the Modern // Art in America. April 1985. Vol. 58. No.