Любайна Химид: Himid L. We Will He // Rosemary Betterton, Looking on. P. 259–66; цитата со с. 261.
Соня Бойс: Sonia Boyce (каталог выставки, AIR Gallery, London, 1986); цитата Араина в: The Essential Black Art (каталог выставки, Chisenhale Gallery, London, 1988). P. 5. См. также: State of the Art. P. 205–246.
Мультикультурализм и проблемы идентичности: Lippard L. Mixed Blessings: New Art in a Multicultural America. New York, 1990; Villa C., Louie R., Featherstone D., ed. Worlds in Collision: Dialogues on Multicultural Art Issues. Maryland: Bethesda, 1994; Fusco C. Essential Differences: Photographs of Mexican Women // Afterimage. April 1991. P. 11–13; Bhabha H. K. The Other Question // Screen. Winter 1983. Vol. 24. No. 6. P. 18–36; The Decade Show: Framework of Identity in the 1980s (каталог выставки, The Museum of Contemporary Hispanic Art/New Museum of Contemporary Art/Studio Museum in Harlem, New York, 1990); Solomon-Godeau A. Mistaken identities (каталог выставки, University Art Museum, University of California, Santa Barbara, 1992); Schor M. A Tribute to Ana Mendieta // Sulfur, Irit Rogoff, The Discourse of Exile: Geographies and Representations of Identity / ed. J. Brettle, S. Rice // Journal of Philosophy and the Visual Arts; Public Bodies/Private States: New Views of Photography, Representation and Gender. Manchester; New York, 1994; Gupta S., ed. Disrupted Borders: An intervention in Definitions of Boundaries. London, 1993; Tawadros G. Beyond the Boundary: The Work of Three Black Women Artists in Britain // Third Text. Autumn/Winter 1989. Vol. 8/9. P. 121–150; Farris P., ed. Women Artists of Color: A Biocritical Sourcebook to 20th Century Artists in the Americas. Greenwich, Connecticut, 1998.
Коренные американки и канадки: Bass R. Jaune Quick-to-See Smith // Art News. March 1984. Vol. 83. No. 3. P. 124; Schmidt R. B. Mediator Between Two Cultures: A Portrait of the American Artist, Jaune Quick-to-See Smith // Der Tages-spiegel. 4 December 1983; Second Western Stales Exhibition: The 38th Corcoran Biennial Exhibition of American Painting (каталог выставки, Corcoran Gallery of Art, Washington, D. C., 1985); Women of Sweetgrass, Cedar and Sage (каталог выставки, Gallery of the American Indian Community House, New York, 1985) / curated by H. Hammond, J. Quick-to-See Smith; Watchful Eyes: Native American Women Artists (каталог выставки, The Heard Museum, Phoenix, Arizona, 1994); Townsend-Gault C. Northwest Coast Art: The Culture of Land Claims // American Indian Quarterly. Fall 1994. Vol. 18. No. 4. P. 445–467; Hyer S. Pablita Velarde: Women’s Work // Southwest Art. March 1993. P. 80–85; Walkingstick K. Native American Art in the Postmodern Era // Art Journal. Fall 1992. Vol. 51. P. 15–17; Ryan A. J. I Enjoy Being a Mohawk Girl: The Cool and Comic Character of Shelley Niro’s Photography // American Indian Art Magazine. Winter 1994. Vol. 20. No. 1. P. 44–53; Bataille G. M., ed. Native American Women: A Biographical Dictionary. New York; London, 1993; Lippard L., ed. Partial Recall: Essays on Photographs of Native North Americans. New York, 1992; Traugott J. Native American Artists and the Postmodern Cultural Divide // The Art Journal. Fall 1992. Vol. 51. P. 36–43; Harlan T., Watchful Eyes: Native American Women Artists. Phoenix, 1994.
Адриан Пайпер: Wilson J. In Memory of the News and of Our Selves // Third Text. Autumn/Winter 1991. No. 16/17. P. 39–64.
Кэрри Мэй Уимс: Carrie Mae Weems (каталог выставки, The National Museum of Women in the Arts, Washington, D. C., 1993).
Гендер и различия: Difference: On Representation and Sexuality (каталог выставки, The New Museum of Contemporary Art, New York, 1985) / curated by K. Linker, J. Weinstock; essays by C. Owens, L. Tickner, J. Rose, P. Wollen, J. Weinstock; Penley C. A Certain Refusal of Difference’: Feminist Film Theory // B. Wallis. Art After Modernism. P. 375–390; Linker K. Representation and Sexuality; Smith P. Difference in America // Art in America. April 1985. Vol. 73. No. 4. P. 190–99; Barrett M. The Concept of Difference // Feminist Review. Summer 1987. No. 26. P. 29–41; Chodorow N. The Reproduction of Mothering: Psychoanalysis and the Sociology of Gender. Berkeley, 1978; Pollock G. Screening the Seventies: Sexuality and Representation in Feminist Practice — a Brechtian Perspective // Vision and Difference; Framing Feminism; Linker K. Eluding Definition // H. Eisenstein, A. Jardine. The Future of Difference. New Brunswick, 1985; Kelly M. Desiring Images/Imaging Desire // Wedge. Winter 1984. No. 6. P. 5–17; Nead L. The Female Nude: Art, Obscenity, and Sexuality. London; New York, 1992; Rogoff I. Tiny Anguishes: Reflections on Nagging, Scholastic Embarrassment, and Feminist Art History // Differences. Fall 1992. Vol. 4. No. 5. P. 38–65.
Репрезентация и сексуальность: Corporal Politics (каталог выставки, MIT List Visual Arts Center, Cambridge, 1992–93) / essays by D. Hall, T. Laqueur, H. Posner. The Politics of Gender (каталог выставки, The Queensborough Community College Art Gallery, The City University of New York, Bayside, New York, 1988); Division of Labor: Women’s Work // Contemporary Art (каталог выставки, The Bronx Museum of the Arts, New York, 1995).
Сьюзан Хиллер: Hiller S. (каталог выставки, Institute of Contemporary Art, London, 1987) / essay by L. Lippard; Einzig B. Within and Against: Susan Hiller’s Nonobjective Reality // Arts Magazine. October 1991. Vol. 66. P. 60–65; Brett G. Susan Hiller’s Shadowland // Art in America. April 1991. P. 137–43ff.; цитата со с. 138.
Сильвия Колбовски: Lichtenstein T. Silvia Kolbowski // Arts Magazine. Summer 1985. Vol. 59. P. 12; Copjec J. In Lieu of Essence: An Exposition. a Photographic Work by Silvia Kolbowski // Block. 1982. Vol. 7. P. 27–31.
Мэри Келли: Kelly M. Post Partum Document. London, 1985; Iverson M. The Bride Stripped Bare by her Own Desire: Reading Mary Kelly’s Post Partum Document // Discourse. Winter 1981–1982. Vol. 4. Berkeley. P. 75–88; No Essential Femininity: A Conversation Between Mary Kelly and Paul Smith // Parachute. Spring 1982. No. 2. Montreal. P. 31–35; Kelly M. Interim (каталог выставки, The Fruitmarket Gallery, Edinburgh, 1986).
Феминизм и психоанализ: Mitchell J. Psychoanalysis and Feminism. Harmondsworth, 1974; Rose J. Sexuality in the Field of Vision. London, 1986; Riviere J. Womanliness as Masquerade // ed. V. Burgin, J. Donald, C. Kaplan. Formations of Fantasy. London; New York. 1986. P. 35–44; Kofman S. The Enigma of Woman: Woman in Freud’s Writings / trans. C. Porter. Ithaca, N. Y., 1985; Sayers J. Sexual Contradictions: Psychology, Psychoanalysis, and Feminism. London; New York, 1986; Gallop J. The Daughter’s Seduction: Feminism and Psychoanalysis. Ithaca, N. Y., 1982; Mitchell J., Rose J., ed. Feminine Sexuality: Jacques Lacan and the Ecole Freudienne. London,