Женское духовное начало: Orenstein G. F. The Reemergence of the Archetype of the Great Goddess in Art // Heresies, special issue devoted to the Great Goddess. New York, 1982; Christ C. P. Why Women Need the Goddess: Phenomenological, Psychological, and Political Reflections // Heresies. Spring 1978. Vol. 2. No. 1. P. 8–13; Seven Cycles: Public Rituals. Mary Beth Edelson / intr. by L. Lippard. New York, 1980; Ana Mendieta: A Retrospective (каталог выставки), The New Museum of Contemporary Art, New York, 1987).
Мэй Стивенс: Ordinary Extraordinary (каталог выставки, Kenyon College, Gambier, OH, 1988); Ordinary Extraordinary, A Summation 1977–1984 (каталог выставки, Boston University Art Gallery, 1984) / texts by P. Hills, D. Kuspit et al.
Джоан Снайдер: Webster S. Joan Snyder, Fury and Fugue: Politics of the Inside // Feminist Art Journal. Summer 1976. Vol. 5. P. 5–8; Joan Snyder: Seven Years of Work (каталог выставки), Roy L. Neuberger Museum, Purchase, N. Y., 1978); Jones B. Painting the Haunted Pool // Art in America. October 1994. Vol. 82. No. 10. P. 120–230.
Линда Бенглис: интервью: Benglis L. Ocular: The Directory of Information and Opportunities for the Visual Arts. New York: Summer Quarter,
1979. P. 30–43.
Мириам Шапиро: Miriam Schapiro: Femmages 1971–1985 (каталог выставки, Brentwood Gallery, St. Louis, MO, 1985); Gouma-Peterson T., ed. Miriam Schapiro: A Retrospective, 1953–1980
(каталог выставки, The College of Wooster,
OH, 1980).
Джеки Винсор: Jackie Winsor (каталог выставки, The Museum of Modern Art, New York, 1979); Lippard L. Jackie Winsor // From the Center. P. 202.
Земляное искусство: Castle T. Nancy Holt, Siteseer // Art in America. March 1982. Vol. 70. P. 84–91; Lippard L. Overlay: Contemporary Art and the Art of Prehistory. New York, 1983; The Pluralist Era.
Женщины и живопись «новой образности»: Pat Steir: Seeing Through the Eyes of Others // Art News. November 1985. Vol. 84. P. 81–88; Godfrey T. The New Image. Oxford, 1986; Freeman P., ed. New Art. New York, 1984.
Ханне Дарбовен: Cladders J., Darboven H., ed. Hanne Darboven (каталог выставки, Venice Biennale, 1982); Jochimsen M. Hanne Darboven: Wende «80». Bonn, 1982.
Дженнифер Бартлетт: Goldwater M. Roberta Smith, and Calvin Tomkins, Jennifer Bartlett. New York, 1985.
Пэт Стейр: Pat Steir (каталог выставки, The Tate Gallery, London, 1988).
Глава 12. Искусство феминисток в Северной Америке и Великобритании
Феминизм и искусство 1970-х: Broude N., Garrard D. M., ed. The Power of Feminist Art. London; New York, 1994; More Than Minimal: Feminism and Abstraction in the 1970s (каталог выставки, The Rose Art Museum, Brandeis University, Waltham, MA, 1996).
Женские образы: цитата Джона Бёрджера приводится по: Ways of Seeing. London, 1972. P. 14; Chicago J., Schapiro M. Female Imagery // Womanspace Journal. Summer 1973. Vol. 1. P. 13; Raven A. Feminist Content in Current Female Art // Sister. October-November, 1975. No. 5. P. 10.
Фейт Рингголд: Gouma-Peterson T. Faith Ringgold’s Narrative Quilts // Arts Magazine. January 1987. Vol. 60. P. 64–69; Faith Ringgold: A Twenty-Five Year Survey (каталог выставки, Fine Arts Museum of Long Island, 1993).
Хармони Хаммонд: Feminist Abstract Art: A Political Viewpoint, Heresies: A Feminist Publication on Art and Politics. 1977. No. 1; перепечатано в: Wrappings: Essays on Feminism, Art, and the Martial Arts. New York, 1983. P. 19–28; Hammond H. Lesbian Artists, Wrappings. Op. cit. P. 40; Hammond H. Lesbian Art in America: A Contemporary History. New York, 2000.
Новая таписерия: American Fiber Art: A New Definition (каталог выставки; University of Houston, 1980) / essays by L. Alloway, J. V. Lee; Constantine M., Larsen J. L. Beyond Craft: The Art Fabric. New York, 1972; (Catherine Howe-Echt, Questions of Style: Contemporary Trends in the Fiber Arts // Fiberarts. March/April 1980. P. 38–43.
Магдалена Абаканович: Jacob M. J. Magdalena Abakanowicz (каталог выставки, Museum of Contemporary Art, Chicago, 1982); Abakanowicz Retrospective (каталог выставки, Galerie Alice Pauli, Lausanne, 1979).
Узоры и украшения: The Pluralist Era. P. 131–154; Kardon J. The Decorative Impulse (каталог выставки, Institute of Contemporary Art, University of Pennsylvania, PA, 1979); Perrault J. Issues in Pattern Painting // Artforum. November 1977. Vol. 16. No. 3. P. 32–36; Goldin A. Patterns, Grids and Painting // Artforum. September 1975. Vol. 13. No. 11. P. 50–54; Perrone J. Approaching the Decorative // Artforum. December 1976. Vol. 1. No. 5. P. 26–30; Broude N. Miriam Schapiro and ‘Femmage’: Reflections on the Conflict Between Decoration and Abstraction in Twentieth-Century Art, в кн.: Broude N., Garrard M. Feminism and Art History. P. 314–329; Bettelheim J. Pattern Painting: The New Decorative, A California Perspective // Images and Issues. March/April 1983. P. 323–36; Stewart P. High Decoration in Low Relief // Art in America. February 1980. Vol. 68. No. 2. P. 97–101.
Боди-арт: благодарю за исследования на эту тему Морин Брэнли, магистра гуманитарных наук Сан-Францисского университета; Ханна Вилке цит. по: Hartman R. Feminists Are Talking About // Feminist Art Journal. Spring 1975. Vol. 4. P. 89; о ранних обзорах творчества Пан в Америке см.: Lippard L. The Pains and Pleasures of Rebirth: European and American Women’s Body Art // Art in America. May-June 1976. Vol. 64. No. 3. P. 73–81; цитата со с. 76; Valie Export: Lesen Durch Objekte/Reading through Objects. Vienna, 1991; Kozloff M. Pygmalion Reversed // Artforum. November 1975. P. 37; Lippard L. Transformation Art // Ms. Magazine. October 1975; цитата Пайпер из: Lippard L. Quite Contrary: Body, Nature, Ritual in Women’s Art // Chrysalis 2. 1977. P. 31–47; разбор серии S. O. S. Вилке см. в: Arts Magazine. November 1972. Vol. 47. P. 72; Nemser C. Four Artists of Sensuality // Arts Magazine. March 1975. Vol. 49. P. 73–75.
Европейский феминизм: Künstlerinnen International, 1877–1977 (каталог выставки, ed. by the Arbeitsgruppe Frauen in der Kunst, Neue Gesellschaft fur bildende Kunst, Merlin, 1977).
Женская духовность: Edelson M. B. An Open Letter to Thomas McEvilley // New Art Examiner. April 1989. P. 34–38; Orenstein G. F. The Reflowering of the Goddess. New York, 1990.
Нэнси Сперо: Nancy Spero (каталог выставки, Institute of Contemporary Art, London, 1987) / essays by L. Tickner, J. Bird; Philippi D. The Conjuncture of Race and Gender in Anthropology and Art History; a Critical Study of Nancy Spero’s Work // Third Text. Autumn 1987. No. 1. P. 34–54; Leon Golub and Nancy Spero: War and Memory (каталог выставки,