Живописцы цветового поля: Higa K. The View From Within: Japanese Art From the Internment Camps, 1942–1945 (каталог выставки, The Japanese National Museum and the UCLA Wight Gallery, Los Angeles, 1992); Okubo M. Citizen 13660. New York, 1946; LaDuke B. African/American Sculptor Elizabeth Catlett: A Mighty Fist for Social Change // Women Artists: Multicultural Visions. New Jersey, 1992. P. 127–144; Merriam D. All History’s Children: The Art of Elizabeth Catlett // Sculpture Review. Vol. 42. No. 3. 1993. P. 6–11; Tesfagiorgis F. H. W. Afrofemcentrism and its Fruition in the Art of Elizabeth Catlett and Faith Ringgold // ed. N. Broude, M. D. Garrard. The Expanding Discourse: Feminism and Art History. New York, 1992. P. 475–486; Tritobia H. B. The Life and Art of Lois Mailou Jones. Rohnert Park, California, 1994; Herzog M. A. Elizabeth Catlett: An American Artist in Mexico. Seattle; London, 2000.
Бриджет Райли: Robertson B. Bridget Riley: Color as Image // Art in America. March/April 1975. Vol. 63. P. 69–71; ее отзывы о феминизме — в: Art and Sexual Politics. P. 82–83; Bridget Riley (каталог выставки, The Hayward Gallery, London, 1992); Bridget Riley: Dialogues on Art, with Neil MacGregor, E. H. Gombrich, Michael Craig-Martin, Andrew Graham-Dixon and Bryan Robertson. London, 1995.
Агнес Мартин: цит. по: Beckett W. Contemporary Women Artists. New York, 1988. P. 58.
Марисоль: Glueck G. Its Not Pop, It’s Not Op — It’s Marisol // New York Times Magazine. March 7, 1965. P. 34–35; Campbell L. Marisol’s Magic Mixtures // Art News. March 1964. Vol. 63. P. — 38–41; Bernstein R. Marisols Self-Portraits: The Dream and the Dreamer // Arts Magazine. March 1985. Vol. 59. P. 86–88.
Ники де Сен-Фалль: Fantastic Vision: Works by Niki de Saint Phalle (каталог выставки, Nassau County Museum of Art, Roslyn, N. Y., 1988); Niki de Saint Phalle: Retrospective Exhibition (каталог выставки, Musée National d’Art Modcrne, Centre Georges Pompidou, Paris, 1980).
Американское искусство 1960-х: Stich S. Made in USA (каталог выставки, The University Art Museum, Berkeley, 1987); Gibson A. Color and Difference in Abstract Painting: The Ultimate Case of Monochrome // Genders. Spring 1992. No. 13. P. 123–152; Fer B. What’s In a Line? Gender and Modernity // Oxford Art Journal. 1990. Vol. 13. No. 1. P. 77–88; Chave A. Minimalism and the Rhetoric of Power // Arts Magazine. December 1989. Vol. 64. No. 4. P. 44–63.
Ева Гессе: Lippard L. Eva Hesse. New York, 1976; Eva Hesse: A Memorial Exhibition (каталог выставки, Solomon R. Guggenheim Museum, New York, 1973); цитата из: Lippard L. Eva Hesse. P. 24; Barrette B. Eva Hesse: Sculpture: Catalogue Raisonné. New York, 1989; Eva Hesse: A Retrospective (каталог выставки, Yale University Art Gallery, New Haven, 1992); Wagner A. M. Another Hesse // October. Summer 1994. No. 69. P. 49–84.
Фейт Рингголд: Faith Ringgold: Change: Painted Story Quilts (каталог выставки), Bernice Steinbaum Gallery, New York, 1987) / essays by M. Roth, T. Gouma-Peterson; Wallace M., ed. Faith Ringgold: Twenty Years of Painting, Sculpture and Performance (каталог выставки), The Studio Museum in Harlem, New York, 1984): о бытовании «черного» искусства в 1960-е см.: Campbell M. S., ed. Tradition and Conflict: Images of a Turbulent Decade, 1963–1973 (каталог выставки, The Studio Museum in Harlem, New York, 1985); Faith Ringgold: A 25 Year Survey. Hempstead, N. Y., 1990; Cameron D., ed. Dancing at the Louvre: Faith Ringgold’s French Collection and other Story Quilts. Berkeley and New York, 1997.
Бетье Саар: Nemser C. Conversation with Betye Saar // Feminist Art Journal. Winter 1975–1976. Vol. 4. P. 19–24; Betye Saar (каталог выставки, Museum of Contemporary Art, Los Angeles, 1984).
Искусство 1970-х: Robins C. The Pluralist Era: American Art, 1968–1981. New York, 1984; Beckett W. Contemporary Women Artists. New York, 1988; Europe in the Seventies: Aspects of Recent Art (каталог выставки, The Art Institute of Chicago, 1977); Lucie-Smith E. Art in the Seventies. Ithaca, N. Y., 1980.
Феминизм и искусство 1970-х: Raven A., Langer C., Frueh J. Feminist Art Criticism: An Anthology. Ann Arbor, 1988; Lippard L. From the Center: Feminist Essays on Women’s Art. New York, 1976; The New Culture: Women Artists of the Severities (каталог выставки, Turman Gallery, Indiana State University, Terre Haute, 1984); «Framing Feminism», сотрудники музея Уитни цит. по: Glueck G. The New York Times, December 12, 1970; Brand P. Z., ed. Beauty Matters. Bloomington and Indianapolis, 2000; Neumaier D., ed. Framings: New American Feminist Photographies. New York, 1995.
Элис Нил: Hills P. Alice Neel. New York, 1983; Nochlin L. Some Women Realists: Painters of the Figure // Arts Magazine. May 1974. Vol. 48. P. 29–33.
Изабель Бишоп: Women Artists: 1550–1950. P. 325–326; Limde K. Isabel Bishop. New York, 1975; Reich S. Isabel Bishop Retrospective. Tucson: University of Arizona Museum of Art, 1974.
Первые феминистские арт-манифесты: Chicago J. Through the Flower: My Struggle as a Woman Artist. New York, 1977; Womanhouse (каталог выставки, Los Angeles, 1973); Harper P. The First Feminist Art Program: A View from the 1980s // Journal of Women in Culture and Society. Summer 1985. Vol. 10. No. 4. P. 762–781; Jones A., ed. Sexual Politics: Judy Chicago’s Dinner Party in Feminist Art History (каталог выставки, Armand Hammer Museum of Art and Cultural Center, Los Angeles, 1995); Chicago J. Women and Art: Contested Territory.
New York, 1999.
Женский перформанс: Roth M., ed. The Amazing Decade: Women and Performance Art in America, 1970–1980. Los Angeles, 1983; Antin E. Being Antinova. Los Angeles, 1983; Levin K. Angel of Mercy (каталог выставки, Museum of Contemporary Art, La Jolla, CA, 1977); Goldberg R. L. Performance: Live Art 1909 to the Present. London; New York, 1979, rev. and enlarged as Performance Art; From Futurism to the Present, 1988; Бёрджер цит. по: Ways of Seeing. London, 1972. P. 46; Jones A. Body Art: Performing the Subject. Minneapolis; London, 1998.
Женская образность: Barry J., Flitterman-Lewis S. Textual Strategies: The Politics of Art-Making // Feminist Art Criticism. P. 87–97; Semmel J., Kingsley A. Sexual Imagery in Women’s Art // Woman’s Art Journal. Spring/Summer 1980. Vol. I. P. 1–6; Lippard L. Quite Contrary: Body, Nature, Ritual in Women’s Art // Chrysalis. 1977. No. 2. P. 31–47; Tickner L. The Body Politic: Female Sexuality and Women Artists Since 1970 // Art History. June 1978. Vol. 1. P. 236–2251; Lippard L. The Pains and Pleasures of Rebirth: European and American Women’s