Эмили Карр: Blanchard P. The Life of Emily Carr. Seattle, 1987; Carr E. Growing Pains: The Autobiography of Emily Carr. Toronto, 1946; Tippett M. Emily Carr: A Biography. Oxford, 1979; Scheider E. Emily Carr: The Untold Story. Seattle, 1978; Shadbolt D. Emily Carr. Vancouver, 1975; Shadbolt D. The Art of Emily Carr. Vancouver, 1988; Fulford R. The Trouble With Emily Carr // Canadian Art. Winter 1993. Vol. 10. P. 32–39.
Барбара Хепворт: Hepworth B. A Pictorial Autobiography. New York, 1970; Hammacher A. M. The Sculpture of Barbara Hepworth.
New York, 1986.
Женщины в сюрреализме: Chadwick W. Women Artists and the Surrealist Movement. London and Boston, 1985; более поздние источники: Caws M. A. Ladies Shot and Painted: Female Embodiment in Surrealist Art // ed. N. Broude, M. D. Garrard. The Expanding Discourse: Feminism and Art History. New York, 1992. P. 381–396; Billeter E., Pierre J. La Femme et le Surréalisme (каталог выставки, Musée du Cantonal, Lausanne, 1987); Kaplan J. Unexpected journeys: The Art and Life of Remedios Varo. New York, 1988; работы Каррингтон переизданы в: The House of Fear and The Seventh Horse. London, 1989; Tibol R. Frida Kahlo: An Open Life, trans. E. Randall. Albuquerque, 1993; Zamora M. Frida Kahlo: The Brush of Anguish, trans. M. Smith. San Francisco, 1990; Caws M. A., Kuenzli R., Raaberg G., ed. Surrealism and Women. Cambridge; London, 1991; Baddeley O. ‘Her Dress Hangs Here’: De-frocking the Kahlo Cult // The OxfordArt Journal. 1991. Vol. 14, 110 1. P. 10–17; Helland J. Culture, Politics, and Identity in the Paintings of Frida Kahlo // The Expanding Discourse. P. 397–408; Chadwick W., ed. Mirror Images: Women, Surrealism and Self-Representation. Cambridge; Massachusetts; London, 1998.
Глава 11. Гендер, раса и модернизм после Второй мировой войны
Великая депрессия: Marling K. A., Harrison H. 7 American Women: The Depression Decade (каталог выставки, Vassar College Art Gallery, Poughkeepsie, N. Y., 1976); Bird C. The Invisible Scar. New York, 1966; Nemser C. Art Talk. New York, 1975 содержит ценные интервью с художницами.
Айрин Райс Перейра: Our Hidden Heritage. P. 233–238; Van Wagner J. K. I. Rice Pereira: Vision Superceding Style // Woman’s Art Journal. Spring/Summer 1980. Vol. 1. No. 1. P. 33–38; Bearor K. A. Irene Rice Pereira: Her Painting and Philosophy. Austen, 1993.
Абстрактный экспрессионизм: Abstract Expressionism: The Formative Years (каталог выставки, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N. Y., 1978) / essays by R. Carlton Hobbs, G. Levin; Gibson A. The Rhetoric of Abstract Expressionism // M. Auping. Abstract Expressionism: The Critical Developments (каталог выставки, Albright-Knox Art Gallery, Buffalo, 1987); Sandler I. The Triumph of American Painting. New York, 1970; воспоминания Краснер и Шапиро о «Клубе» и баре «Кедр» см. в: Originals. P. 275; Hall L. Elaine and Bill: Portrait of a Marriage: The Lives of Wilhelm and Elaine de Kooning (New York, 1993); Leja M. Refraining Abstract Expressionism: Subjectivity and Painting in the 1940s. New Haven and London, 1993.
Ли Краснер: Lee Krasner: A Retrospective (каталог выставки, Museum of Modern Art, New York, 1983) / essay by B. Rose; о гибридных образах Краснер см. с. 114; Landau E. G. Lee Krasner’s Past Continuous // Art News. February 1984. Vol. 83. No. 2. P. 68–76; Krasner and Pollock: A Working Relationship (каталог выставки, Gray Art Gallery, New York, 1981) / essay by B. Rose; Wagner A. Lee Krasner as L. K. // Representations. Winter 1989. Vol. 25. P. 42–57; замечания о женщине и писательстве, цитата Готье в: Marks E., Courtivron I. de. New French Feminisms: An Anthology. New York, 1981. P. 162; замечания Сиксу — на с. 251. Отклик Хофмана о картинах женщин цит. по: Originals. P. 108. Wagner A. M. Lee Krasner as L. K. // ed. N. Broude, D. G. Mary. The Expanding Discourse: Feminism and Art History. New York, 1992. P. 425–436.
Дороти Денер: Dorothy Dehner and David Smith: Their Decades of Search and Fulfillment (каталог выставки, The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, N. J., 1984) / essay by J. Marter.
Луиза Буржуа: Louise Bourgeois (каталог выставки) / essay by D. Wye. New York: The Museum of Modern Art, 1983; цитата о ее картинах на с. 17; отклики критики на скульптуру конца 1960-х — на с. 27. Gibson A. Louise Bourgeois’s Retroactive Politics of Gender // The Art Journal. Winter 1994. Vol. 53. No. 4. P. 44–47; Louise Bourgeois: Sculptures, Environments, Dessins 1938–1995 (каталог выставки, Musée d’Art Moderne de la Ville de Paris, Paris, 1995); Nicoletta J. Louise Bourgeois’s Femme Maisons: Confronting Lacan // Woman’s Art Journal. Fall/Winter, 1993. Vol. 13, No. 2. P. 21–26; Louise Bourgeois: The Locus of Memory, Works 1982–1993 (каталог выставки, The Brooklyn Museum, New York, 1993).
Джоан Митчелл: Joan Mitchell (каталог выставки), Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N. Y.) / essay by J. Bernstock; Ashbery J. An Expressionist in Paris // Art News. April 1965. Vol. 64. P. 44ff.
Грейс Хартиган: Schoenfeld A. Grace Hartigan in the Early 1950s: Some Sources, Influences, and the Avant-Garde // Arts Magazine. September 1985. Vol. 59. No. 11. P. 84–88; Hartigan: Thirty Years of Painting, 1950–1980 (каталог выставки), Fort Wayne Museum of Art, Fort Wayne, Indiana, 1981). Mattison R. S. Grace Hartigan: A Painter’s World. New York, 1990; цитата Хартиган в: Leja M. Refraining Abstract Expressionism: Subjectivity and Painting in the 1940s. New Haven and London, 1993. P. 266.
Элен де Кунинг: Campbell L. Elaine De Kooning: Portraits in a New York Scene // Art News. April 1963. Vol. 62. P. 38–39; Ten Portraitists — Interviews/ Statements // Art in America. January — February 1975. Vol. 63. P. 35–36; Slivka R. Elaine De Kooning: The Bacchus Paintings // Arts Magazine. October 1982. Vol. 57. P. 66–69.
Хелен Франкенталер: Helen Frankenthaler: Paintings (каталог выставки), Corcoran Gallery of Art, Washington, D. C., 1975); Belz C. Frankenthaler: the 1950s (каталог выставки, Rose Art Museum, Brandeis University, Waltham, MA, 1981); определение ее работ как женственных принадлежит Фридману, см.: Originals. P. 217.
Этель Швабахер: Ethel Schwabacher: A Retrospective Exhibition (каталог выставки), Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, N. J., 1987) / essays by G. Berman, M. Hadler.
Луиза Невельсон: Wilson L. Louise Nevelson: Iconography and Sources. Outstanding Dissertations in the Fine Arts series, New York, 1981; Nevelson on Nevelson // Art News. November 1972. Vol. 71. P. 67–73;