Женщины, искусство и общество - Уитни Чадвик. Страница 136


О книге
100. P. 132–136; цитата со с. 134.

Китай сегодня: Hanru N. China Today: Negotiating With the Real, Longing for Paradise // Flash Art. March-April 2005. Vol. 38. P. 96–101; Lu C. Clothes and Capsules: New Installation Art from China // Flash Art. July-September 2003. Vol. 36. P. 94–96; Piraneo M., ed. How Latitudes Become Forms (каталог выставки, Walker Art Center, Minneapolis, 2003).

Андреа Зиттель: Vendrame S., Zittel A. Diary #1. Tenia Celeste Editions, 2002. P. 59; цитируется в: Yerushalmy M. Alternative Views — Utopian Relations and Relational Practices in the Work of Nan Goldin, Yvonne Dröge Wendel and Andrea Zittel // n.paradoxa. 2005. Vol. 16. P. 59.

Ширана Шахбази: Notter E. Shirana Shahbazi // Art Press. June 2005. No. 313. P. 75–76; Carmine G. Shirana Shahbazi // Flash Art (international edition). May/June 2005. Vol. 38. P. 154–155; Robecchi M. Shirana Shahbazi: You Are Here // Flash Art (international edition). November/December 2003. Vol. 36. P. 76–79.

Катажина Козыра: Szylak A. The New Art for the New Reality: Some Remarks on Contemporary Art in Poland // Art Journal. Spring 2000. Vol. 59. P. 54–63; Szylak A. The Female Allergen // n.paradoxa. 2003. Vol. 12. P. 72–77.

Михаль Ровнер: Wolf S. Michal Rovner: The Space Between (каталог выставки, Whitney Museum of American Art, New York, 2002);

цит. по: Honigman A. Michal Rovner: In Stone // Modern Painters. December 2004/January 2005. P. 112; Nguyen A. Michal Rovner, rencontre d’un autre type/Michal Rovner: Determined But Not Too Directive // Art Press. January 2005. No. 308. P. 38–42.

Юй Хун: Vine R. Shanghai Accelerates // Art in America. February 2005. Vol. 93. P. 104–111; Soyer B. Shanghai Express // Beaux-Arts Magazine. February 2005. No. 248. P. 54–57.

Кара Уокер: Berry I., et al., ed. Kara Walker: Narratives of a Negress (каталог выставки, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, and the Williams College Museum of Art; MIT Press, Cambridge and London, 2003); Corris M, Hobbs R. Reading Black Through White in the Work of Kara Walker // Art History. June 2003. Vol. 26. P. 44–49; Dixon A., ed. Kara Walker: Pictures from Another Time (каталог выставки, University of Michigan Museum of Art, Ann Arbor, 2002).

Травма/восстановление: Libeskind D. Trauma / ed. S. Hornstein, F. Jacobowitz // Image and Remembrance: Representation and the Holocaust. Bloomington. 2003. P. 43–58; Bennett J. Empathic Vision: Affect, Trauma, and Contemporary Art. Stanford, 2005.

Рэйчел Уайтред: Mullins C. Rachel Whiteread (каталог выставки в Галерее Тейт, Лондон, 2004); Corrin L. G., Elliott P., Schlieker A., ed. Rachel Whiteread (каталог выставки, Scottish National Gallery of Modern Art, Edinburgh, and Serpentine Gallery, London, 2001); Comay R. Memory Block: Rachel Whiteread’s Holocaust Memorial in Vienna / ed. S. Hornstein, F. Jacobowitz // Image and Remembrance. P. 251–271.

Элке Кристуфек: Ray G. Mirroring Evil: Auschwitz, Art and the ‘War on Terror’ // Third Text. June 2003. No. 63. P. 113–25; Nochlin L., ‘Mirroring Evil: Nazi Imagery/Recent Art’ // Artforum International. Summer 2002. Vol. 40. P. 167–168, P. 207; Ray G. Conditioning Adorno ‘After Auschwitz’ Now // Third Text. July 2004. No. 69. P. 223–230.

Глава 16. Выстраданные достижения феминизма

Основные источники: Kentucky Foundation for Women, www.kfw.org/specialpages/feministtimeline/htm; Cotter H. The New York Times, Section B. 9 March. 2007. P. 27f; цит. Мишель Уоллес по: During S., ed. The Cultural Studies Reader. London; New York, 1993. P. 130; расширенная версия статьи впервые появилась в: Wallace M. Invisibility Blues: From Pop to Theory. London, 1990; Pollock G. Encounters in the Virtual Feminist Museum: Time, Space and the Archive // ed. M. Hedlin Hayden, J. Sjoholm Skrubbe // Feminisms is Still Our Name: Seven Essays on Historiography and Curatorial Practices. Newcastle-upon-Tyne, 2010. P. 108; also: Jones A. The Return of Feminism(s) and the Visual Arts, 1970–2009 // Ibid. P. 14.

Дополнительные источники: Reckitt H., Phelan P. Art and Feminism. London, 2006; Robinson H., ed. Feminism-Art-Theory, 1968–2000. Oxford and Maiden, MA, 2001; Fortnum R. Contemporary British Women Artists in Their Own Words. London, 2007.

Цитата Хатум — из телефонного разговора с автором 11.12.2007; Hatoum M. Undercurrents (XIII Biennale Donna, Farrara Palazzo Massari, 2008). Каталоги основных выставок: Konstfeminism (Dunkers Kulturhaus, Helsingborg and Liljevalchs Konsthall, Stockholm, 2005); It’s Time for Action (Migros Museum, Zurich, 2006); Kiss Kiss Bang Bang: 45 Years of Art and Feminism (Museum of Fine Arts, Bilbao, 2007); WACK: Art and the Feminist Revolution (Museum of Contemporary Art, Los Angeles, 2007); Global Feminisms (Brooklyn Museum of Art, 2007); and elles@centrepompidou (Centre Georges Pompidou, Paris, 2009).

Рэйчел Харрисон: Banks E., ed. Rachel Harrison: Museum With Walls (каталог выставки, Center for Curatorial Studies, Bard College, Annandale-on-Hudson and Whitechapel Gallery, London, 2010); Ruppersberg A. You and Me or the Art of Give and Take / essays by C. Lewallen, G. Marcus (каталог выставки, Santa Monica Museum of Art, Santa Monica, 2009).

Эмили Уордилл: Helfand G. Emily Wardill // Artforum International. Summer 2010. Vol. 48. P. 360–361; McLean-Ferris L. Dissolution // Art Monthly. October 2011. No. 350. P. 11–14.

Шейла Хикс: Faxon S., Simon J. ed. Sheila Hicks: 50 Years / essay by W. Chadwick (каталог выставки, Addison Museum of American Art, Andover, MA, 2010); Stritzler-Levine N., ed. Sheila Hicks: Weaving as Metaphor (каталог выставки, The Bard Graduate Center for Studies in the Decorative Arts, Design and Culture, New York, and Yale University Press, New Haven and London, 2006) / essays by A. C. Danto, J. Simon, N. Stritzler-Levine.

Розмари Трокель: Haldemann A., Schreier C., ed. Rosemarie Trockel, Drawings, Collages and Book Drafts. Ostfilden, 2010; Trockel R. Post-Menopause (каталог выставки, Museum Ludwig, Cologne, 2005); Chadwick W. When is a Grid Not a Grid: A Tale of Two Works and Multiple Histories // Contemporary Feminist Studies and Its Relation to Art History and Visual Studies. Gothenburg, 2010. P. 12–31.

Орлан: Daniel Veneciano J., Garelick R. K., ed. Fabulous Harlequin: Orlan and the Patchwork Self. Lincoln, Nebraska, 2010; O’Brien J. Carnal Art: ORLAN’S Refacing. Minneapolis, 2005.

Эльжбета Яблоньска: Architectures of Gender: Contemporary Women’s Art in Poland (каталог выставки, Warsaw National Museum, Warsaw, 2003).

Линь Тяньмяо: Inside/Out: New Chinese Art (каталог выставки, Asia Society and P. S. 1, New York, and San Francisco Museum of Modern Art, San Francisco, 1998); Tianmiao L. Non Zero (каталог выставки, Timezone 8, Hong Kong, 2004); Threads of Vision: Toward a New Feminist Poetics. Cleveland, 2001.

Джин Шин (Жан Син): Sheets H. Jean Shin // Art News. May 2007. Vol. 106. P. 160.

Эллен Галлахер: Francis M., ed. Greasy: Ellen Gallagher (каталог выставки, Gagosian Gallery, New

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