Базовые источники: Deepwell K. ‘Bad Girls’, Feminist Identity Politics in the 90s / ed. J. Steyn // Other Than Identity: The Subject, Politics and Art. Manchester, 1997; цитата на с. 56; Moreno G. High Noon in Desire Country: The Lingering Presence of Extended Adolescence in Contemporary Art // Art Papers. May/June 2000. Vol. 24. P. 30–35; Forkert K. Transgression, Branding, and National Identity // Fuse Magazine. January 2006. Vol. 29. P. 16–23; Jeffries J. Autobiographical Patterns // Surface Design Journal. Summer 1997. No. 22. P. 8–9; Ellis P. Karen Kilimnik: Glitter Girl // Flash Art. October 2002. Vol. 34. Italy. P. 56–61; Yerushalmy M. Alternative Views — Utopian Relations and Relational Practices in the Work of Nan Goldin, Yvonne Droge Wendel and Andrea Zittel // n.paradoxa. 2005. Vol. 16. P. 53–61.
Трейси Эмин: Merck M., Townsend C., ed. The Art of Tracey Emin. London, 2002; Betterton R. Undutiful Daughters: Avant-gardism and Gendered Consumption in Recent British Art // Visual Culture in Britain. 2000. Vol. 1. P. 13–29; цитата на с. 22; Durden M. Le Pouvoir de l’Authenticité/The Power of Authenticity // Parachute. January-March 2002. Vol. 105. P. 20–37; цитата на с. 27; Preece R. A Conversation with Tracey Emin // Sculpture. November 2002. Vol. 21. P. 38–43; Hall J. Tracey Emin Museum // Artforum International. April 1996. Vol. 34. P. 112.
Гада Амер: Pollack B. The New Look of Feminism // Art News. September 2001. Vol. 100. P. 132–36; Auricchio L. Works in Translation: Ghada Amer’s Hybrid Pleasures, Needlework Art Pieces // Art Journal. Winter 2001. Vol. 60. P. 26–37; Ghada Amer: Intimate Confessions (каталог выставки, Tel Aviv Museum of Art, Tel Aviv, 2000); Breitz C. Ghada Amer/The Modeling of Desire // NKA Journal of Contemporary African Art. Fall-Winter 1996. No. 5. P. 14–16; Ghada Amer (каталог выставки, Gagosian Gallery, Los Angeles, 2004).
Венецианская биеннале 2005 года: Vetrocq M. E. Venice Biennale: Be Careful What You Wish For // Art in America. September 2005. Vol. 93. P. 109–19; Nochlin L. Venice Biennale: What Befits a Woman // Art in America. September 2005. Vol. 93. P. 120–25; Madra B. The Venice Biennale 2005. The Last Bi-Entertainment? // Third Text. November 2005. Vol. 19. P. 685–693.
Глобализация, присутствие, различия: Friedman T. L. The Lexus and the Olive Tree. New York; London, 1999; цитата со с. 25; Klein N. No Logo: Taking Aim at the Brand Bullies. New York; London, 1999; Perry G. Introduction: Visibility, Difference and Excess // Art History. June 2003. Vol. 26. P. 319–339; Threads of Vision: Toward a New Feminist Politics (каталог выставки, Cleveland Center for Contemporary Art, Cleveland, 2001); McLean I. On the Edge of Change? Globalisation and Cultural Difference // Third Text. 2004. Vol. 18. P. 293–304.
Транснационализация и современное искусство: Ong A. Flexible Citizenship: The Cultural Logics of Transnationality. Durham, N. C., 1999; Mona Hatoum: The Entire World as a Foreign Land (каталог выставки в Галерее Тейт, Лондон, 2000); O’Brien D., Prochaska D. Beyond East and West: Seven Transnational Artists (каталог выставки, Krannert Art Museum, University of Illinois at Urbana-Champaign, 2004); Chow R. Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies. Bloomington; Indianapolis, 1993; Threads of Vision: Toward a New Feminist Poetics (каталог выставки, Cleveland Center for Contemporary Art, Cleveland, 2001); Rogoff I. Terra Infirma: Geography’s Visual Culture. London; New York, 2000; цитата со с. 6.
Софи Калль: Golonu B. Sophie Calle: public places-private spaces // Aperture. Winter 2001. No. 165. P. 76–77; Calle S. Exquisite Pain. London, 2004; New York, 2005; Sophie Calle (каталог выставки, Sprengel Museum, Hanover, 2002); Macel C., Bois Y. -A., Rolin O. Sophie Calle: Did You See Me? Munich; London, 2004; Bois Y. -A. Paper Tigress // October. Spring 2006. No. 116. P. 35–54; Princenthal N. The Measure of Heartbreak // Art in America. September 2005. Vol. 93. P. 139–141, 166; цитата со с. 166.
Марлен Дюма: Enright R. The Faceless Body // Border Crossings. August 2004. Vol. 23. P. 22–34; Marlene Dumas: The Question of Human Pink (каталог выставки, Berne Kunsthalle, Berne, 1989; Dumas M. The Right to be Silent (a conversation on elitism and accessibility) // Frieze. January-February 2004. No. 80. P. 84–89; Hendrikse M. R. Beyond Possession: Marlene Dumas and the mobilisation of subject, paint and meaning // De Arte. September 2000. South Africa. No. 62. P. 3–19; Marlene Dumas: one hundred models and endless rejects (каталог выставки, Institute of Contemporary Art, Boston, 2001); Dumas M. Sweet Nothings: Notes and Texts / ed. M. Van den Berg. Amsterdam: Galerie Paul Andriesse, 1998; цитата из Мисимы на с. 57.
Эйя-Лииза Ахтила: Eija-Liisa Ahtila: Fantasized Persons and Taped Conversations (каталог выставки, Kiasma Museum of Contemporary Art, Helsinki, and Tate, London, 2002); Chadwick W., ed. Bent: Gender and Sexuality in Contemporary Scandinavian Art. Eija-Liisa Ahtila, Jesper Just, Annika Larsson, Annica Karlsson Rixon (каталог выставки, Fine Arts Gallery, San Francisco State University, San Francisco, 2006); Ventrocq M. Eija-Liisa Ahtila Is Not Going Crazy // Art in America. October 2002. Vol. 90. P. 130–135, 173; Избранные эссе в: Eija-Liisa Ahtila // Parkett. 2003. No. 68. P. 56–93.
Джанет Кардифф: Sundell M. Janet Cardiff // Artforum International. January 2002. Vol. 40; цитата со с. 137; Christov-Bakargier C. Janet Cardiff: A Survey of Works Including Collaborations with George Bures Miller (каталог выставки, P. S. 1 Contemporary Art Center, New York, 2001).
Лалла Эссаиди: Converging Territories: Photographs and Text by Lalla Essaydi / essay by A. Carlson. New York, 2005; Daftari F. Without Boundary: Seventeen Ways of Looking (каталог выставки, The Museum of Modern Art, New York, 2006).
Ширин Нишат: Shaw W. M. K. Ambiguity and Audience in the Films of Shirin Neshat // Third Text. Winter 2001–2002. No. 57. P. 43–52; Ravenal J. B., ed. Outer and Inner Space: Pipilotti Rist, Shirin Neshatjane and Louise Wilson, and the History of Video Art (каталог выставки, Virginia Museum of Fine Arts, Richmond, 2002).
Эмили Ясир: Richard F. Emily Jacir // Artforum International. May 2005. Vol. 43. P. 244–245; Nochlin L. What Befits A Woman // Art in America. September 2005. Vol. 93. P. 120–125; Bhabha H. Another Country // F. Daftari. Without Boundary. P. 30–35; цитата со с. 30.
Ринеке Дейкстра: Girls Night Out (каталог выставки, Orange County Museum of Art, Newport Beach, 2003); Visser H. Rineke Dijkstra Portraits (каталог выставки, Musée Jeu de Paume, Paris, 2006); Oddy J. Rineke Dijkstra // Modern Painters. February 2006. P. 86–91.
Кимсуджа: источник цитат — веб-сайт художницы (дата обращения: 25 января 2006); Pollack B. The New Look of Feminism // Art News. September 2001. Vol.