Энде: см.: Miner on the Gerona Apocalypse // Anastaise and Her Sisters; King G. G. Divigations on the Beatus // Art Studies. 1930. Vol. 8, part 1. P. 3–55.
Гобелен из Байё: The Bayeux Tapestry / introduction and commentary by D. M. Wilson. London, 1985; The Subversive Stitch. P. 28.
Оттоновская Германия: о монастырско-политических альянсах см.: Dronke P. Women Writers of the Middle Ages: A Critical Study of Texts from Perpetua to Marguerite Porete. Cambridge, 1984. P. 55; Mayr-Harting H. Ottonian Book Illumination: An Historical Study. New York, 1991; Wilson K. M. Hrotsvit of Gandersheim: the Ethics of Authorial Stance, vol. 7, Davis Medieval Texts and Studies Series. Leiden, 1988.
Герpaда Ландсбергская: Straub A., Keller G., ed. Herrade de Landsberg, Hortus Deliciarum. Strasbourg, 1879–1899; Camès G. Allegories et Symboles dans le Hortus Deliciarum. Leyden, 1971.
Хильдегарда Бингенская: Newman B. Sister of Wisdom: St. Hildegard’s Theology of the Feminine. Berkeley, 1987; глава о Хильдегарде в: Women Writers of the Middle Ages суммирует ее писательство; об иллюстраторах см. в кн.: Fegers H. Die Bilder im Scivias der Hildegard von Bingen // Das Werk des Kunstlers. 1939. Vol. 1. P. 109–145, см. также: Singer C. From Magic to Science. Essays on the Scientific Twilight. London, 1928. P. 199–239; Flanagan S. Hildegarde of Bingen, 1098–1179: A Visionary Life. London and New York, 1989; Bowie F., Davies O., ed. Hildegard of Bingen: An Anthology. London, 1990; Bishop J, Mother Columba Hart. Scivias. New Jersey, 1990; Flanagan S. Hildegard of Bingen, 1098–1179: A Visionary Life. London, 1989; Lachman B. The Journal of Hildegard of Bingen. New York, 1993; Bowles F., Davies O. ed. Hildegard of Bingen: An Anthology. London, 1990.
Женщины-мистики: о политических и психоаналитических аспектах мистического диалога см.: Irigaray L. Plato’s Hystera / trans. G. Gill // Speculum of the Other Woman. Ithaca, 1985; см. также: Bynum C. ‘…And Woman His Humanity:’ Female Imagery in the Religious Writing of the Later Middle Ages / ed. C. Bynum, S. Harrell, P. Richman // Gender and Religion: On the Complexity of Symbols. Boston, 1986; Bynum C. Jesus as Mother: Studies in the Spirituality of the High Middle Ages. Berkeley; Los Angeles, 1982; Beer F. Women and Mystical Experience in the Middle Ages. Suffolk, 1992; Brunn E. Z., Epiney-Burgard G. Women Mystics in Medieval Europe. New York, 1989.
Женщина в средневековом городе: Baron F. Bulletin archéologique du comité des travaux historiques et scientifiques. 1968. Vol. 4. P. 37–121; Uitz E. The Legend of Good Women: Medieval Women in Towns and Cities, trans. Sheila Marnie. New York, 1990.
Культ Девы Марии: Kraus H. Eve and Mary: Conflicting Images of Medieval Women // Feminism and Art History. P. 79–99.
Opus Anglicanum: о способах производства см.: The Subversive Stitch. P. 40–45. Secular illumination: Branner R. Manuscript-makers in mid-thirteenth century Paris // The Art Bulletin. 1966. Vol. 48. P. 65; Meiss M. The Limbourgs and Their Contemporaries. 2 vols. Vol. 1. New York, 1974. P. 14.
Глава 2. Идеал эпохи Возрождения
Ключевые работы о культуре Ренессанса: Antal F. Florentine Painting and Its Social Background. London, 1947; Kelly-Gadol J. The Unity of The Renaissance: Humanism, Natural Science, and Art / ed. C. Carter // From the Renaissance to the Counter Reformation. Essays in Honor of Garett Mattingly. New York, 1965; Culture and Society in Renaissance Italy; Goldthwaite R. The Building of Renaissance Florence: An Economic and Social History. Baltimore; London, 1980; Wackernagel M. The World of the Florentine Renaissance Artist / trans. A. Luchs. Princeton, 1981.
Женщины Ренессанса: Nochlin L. Why Have There Been No Great Women Artists? // T. Hess, E. Baker. Art and Sexual Politics; Kelly-Gadol J. Did Women Have a Renaissance? // R. Bridenthal, C. Koonz. Becoming Visible; Brown J. C. A Women’s Place Was in the Home: Women’s Work in Renaissance Tuscany / ed. M. Ferguson, M. Quilligan, N. Vickers // Rewriting the Renaissance: The Discourse of Sexual Difference in Early Modern Europe. Chicago and London, 1986. P. 206–226; Herlihy D., Klapisch-Zuber C. Tuscans and Their Families. New Haven and London, 1978; Maclean I. The Renaissance Notion of Woman. Cambridge, 1980; Benson P. J. The Invention of the Renaissance Woman: The Challenge of Female Independence in the Literature and Thought of Italy and England. University Park, PA, 1992; King M. L. Women of the Renaissance. Chicago and London, 1991; Rosenthal E. G. The Position of Women in Renaissance Florence: neither Autonomy nor Subjection / ed. P. Denley, C. Elam // Florence and Italy: Renaissance Studies in Honor of Nicolai Rubinstein. London, 1988. P. 369–381; Migiel M., Schiesari J. Refiguring Woman. Perspectives on Gender and the Italian Renaissance. Ithaca and London, 1991; Lesbian (In)Visibility in Italian Renaissance Culture: Diana and Other Cases of donna con donna // Journal of Homosexuality (special double issue on: Gay and Lesbian Studies in Art History. 1994. Vol. 27). P. 81–121; Jacobs F. H. Defining the Renaissance Virtuosa: Women Artists and the Language of Art History and Criticism. Cambridge; New York, 1997.
Настоятельницы монастырей: King C. Medieval and Renaissance Matrons, Italian-style // Zeitschrift für Kunstgeschichte. 1992. Vol. 55. P. 372–393; King C. Renaissance Women Patrons, Wives and Widow in Italy c. 1300–1550. Manchester; New York, 1998.
Гильдии: Staley E. The Guilds of Florence. London, 1906; похожие структуры с участием женщин и мужчин обнаруживаются в флорентийских братствах, см.: Weissman R. Ritual Brotherhood in Renaissance Florence. New York, 1982.
Историография Ренессанса: Streuver N. The Language of History in the Renaissance. Princeton, 1970; замечание Бруни на с. 105; Ручеллаи цит. по: Baxandall M. Painting and Experience in Fifteenth-Century Italy. Oxford and New York, 1972. P. 2.
Альберти: Alberti L. B. I libri della famiglia // Opere volgari. Bari, 1960, на англ.: The Family in Renaissance Florence / trans.