«Давиды»: Sterling C. A Fine ‘David’ Reattributed // The Metropolitan Museumof Art Bulletin. 1951. Vol. 9. No. 5. P. 121–132; Wildenstein G. Un Tableau attribué à David et rendu à Mine. Davin-Mirvault: ‘Le Portrait du Violiniste Bruni’ (Frick Collection) // Gazette des Beaux-Arts. 1962. Vol. 59. P. 93–98; Fine A. Césarine Davin-Mirvault: Portrait of Brunt and Other Works by a Student of David // Woman’s Art Journal. Spring/Summer 1983. Vol. 4. P. 15–20; Kagan A. A Fogg ‘David’ Reattributed to Madame Adélaide Labille-Guïard // Fogg Art Museum Acquisitions, 1969–1970. Cambridge, 1971. P. 31–40; The Metropolitan Museum of Art Bulletin. 1918. Vol. 13. P. 59.
Альбрехт Дюрер: Albrecht Dürers Tagebuch der Reise in die Niederlande. Leipzig, 1884. P. 85. Женщины, искусство и идеология: более полное изложение проблемы см. в: Old Mistresses, в частности главу 1; этот вопрос затронут также в: Nochlin L. Women, Art; and: Power // Women, Art, and Power. P. 1–36. Обзор работ XIX века цит. по: Pollock G. Women, Art and Ideology: Questions for Feminist Art Historians // Woman’s Art Journal. Spring/Summer 1983. Vol. 4. P. 39–47; это сокращенная версия: Vision, Voice and Power. P. 2–21. О конструировании женственности в связи с традициями рукоделия см.: Parker R. The Subversive Stitch: Embroidery and the Making of the Feminine. London, 1984.
Джорджо Вазари: Vasari G. Le vite de’ più eccellenti pittori, scultori e architettori italiani, da Cimabtie insino at tempi nostri… Florence, 1568; Boase T. S. R. Giorgio Vasari: The Man and the Book. Princeton, 1979.
Художницы древности: Kampen N. Hellenistic Artists: Female // Archeologia Classica. 1975. Vol. 27. P. 9–17; Fantham E., Foley H. P., Kampen N. B., Pomeroy S. B., Schapiro H. A., ed. Women in the Classical World. New York and Oxford, 1994; Clark G. Women in Late Antiquity: Pagan and Christian Lifestyles. Oxford, 1993.
Женщина в эпоху гуманизма: Bornstein D. Distaves and Dames: Renaissance Treatises For and About Women // Scholars Facsimiles and Reprints. Delmar, N. Y., 1978; King M. L. Book-Lined Cells: Women and Humanism in the Early Italian Renaissance and Kristeller P. Learned Women of Early Modern Italy: Humanists and University Scholars // ed. P. Labalme. Beyond Their Sex: Learned Women of the European Past. New York and London, 1984.
Боккаччо: цитируется по: Women Artists: 1550–1950. P. 23.
Кристина Пизанская: Bell S. G. Christine de Pizan (1364–1430): Humanism and the Problem of a Studious Woman // Feminist Studies. 1976. Vol. 3. No. 3–4. P. 173–184; Huffer L. Christine de Pisan: Speaking Like a Woman / Speaking Like a Man / ed. E. E. DuBruck // New Images of Medieval Women: Essays Toward a Cultural Anthropology. Lewiston, N. Y.; Queenston, Ontario, 1989.
Работы по XVII веку: Delle Meraviglie dell’Arte; Carlo Cesare Malvasia, Felsina Pittrice. 2 vols. Vol. 2. Bologna, 1678. P. 454; Mander K. van. Het Schilder Boeck. Haarlem, 1604; Sandrart J. van. Teutsche Academie der Bau-Bild-und Malerei-Kunste. Nuremberg, 1675–179.
Работы по XVIII веку: Houbraken A. De Groote Schouburgh. The Hague, 1718–1721; Lairesse G. Het Groot Schilderboeck. Amsterdam, 1707. P. 335; Starobinski J. The Invention of Liberty, 1700–1789. Geneva, 1964. P. 22; О Руссо см. главу 5, внизу; женщины в эпоху Просвещения: Kleinbaum A. Women in the Age of Light / ed. R. Bridenthal, C. Koonz // Becoming Visible: Women in European History. Boston, 1977; письмо Ричардсона и замечания Пастон цит. по: The Subversive Stitch. P. 110–146; Old Mistresses. P. 7–12, — применение этих стереотипов к художницам XVIII века; Diderot D. Salons; texte établi et presenté par J. Seznec et G. Adhémar. Oxford, 1957–1967.
Женственность и косметика: Jacqueline Lichtenstein’s «Making Up Representation» // Representations. Fall 1987. Vol. 20. P. 7–86.
Работы по XIX веку: Legrange L. Du rang des femmes dans Part // Gazette des Beaux-Arts. 1860. P. 30–43; викторианское и эдвардианское переосмысление истории искусства см. в: Tickner L. Pankhurst, Modersohn-Becker and the Obstacle Race // Block. 1980. Vol. 2. P. 24–40; отзывы критики на творчество женщин-импрессионистов и цитата Гюисманса см. в: Garb T. Women Impressionists. New York, 1986. P. 15.
Анна Джеймсон: Holcomb A. M. Anna Jameson: The First Professional English Art Historian // Art History. June 1983. Vol. 6. No. 2. P. 171–187. Анализ работ Джеймсон см. в: Visits and Sketches at Home and Abroad. London. 1939. Vol. 2. P. 133.
Глава 1. Средние века
Женщины в Средневековье: Herlihy D. Women in Medieval Society. Houston, 1971; Varieties of Womanhood in the Middle Ages / ed. S. G. Bell // Women from the Creeks to the French Revolution. Stanford, 1973. P. 118–80; Gies F., Gies J. Women in the Middle Ages. New York, 1978; Shahar S. The Fourth Estate: A History of Women in the Middle Ages / trans. C. Galai. London; New York, 1983; Miles M. Image as Insight: Visual Understanding in Western Christianity and Secular Culture. Boston, 1985; Gold P. The Lady and the Virgin: Image, Attitude, and Experience in Twelfth-Century France. Chicago, 1985; Labarge M. Women in Medieval Life. London, 1986; Labalme P., ed. Beyond Their Sex: Learned Women of the European Past; Margaret K. Miles, Carnal Knowing: Female Nakedness and Religious Meaning in the Christian West. New York, 1991; McCash J. H., ed. The Cultural Patronage of Medieval Women. Athens, Georgia, 1995; Crane S. Clothing and Gender Definition: Joan of Arc // Journal of Medieval and Early Modern Studies. Spring 1996. Vol. 26. P. 297–320.
Мишель Фуко о субъективности и власти в: The Subject and Power, reprinted in: Wallis B., ed. Art After Modernism: Rethinking Representation. New York and Boston, 1984; цитата на с. 421.
Монахини: Eckenstein L. Women Under Monasticism. Cambridge, 1896; Nunneries as the Medieval Alternative to Marriage // S. G. Bell. Women from the Creeks to the French Revolution. P. 96–117; Fell C. Women in Anglo-Saxon England. Oxford, 1984; письмо Бонифация на с. 113; о женщинах-иллюстраторах см.: Miner D. Anastaise and Her Sisters: Women Artists of the Middle Ages. Baltimore, The Walters Art Gallery, 1974; Carr A. W. Women Artists in the Middle Ages // Feminist Art Journal. 1976. Vol. 5. P. 5–9; Oliver J. ‘Gothic’ Women and Merovingian