Женщины в XIX веке: Yeldham C. E. Women Artists in Nineteenth-Century England and France. New York; London, 1984; Cott N. F. The Bonds of Womanhood: «Women’s Sphere» in New England, 1780–1835. New Haven; London, 1977; Smith-Rosenberg C. Disorderly Conduct: Visions of Gender in Nineteenth-Century America. New York, 1985; Cherry D. Painting Women: Victorian Women Artists (каталог выставки, Rochdale Art Gallery, Lancashire, 1987; London and New York, 1993); Tufts E., ed. American Women Artists: 1830–1930 (каталог выставки, The National Museum of Women in the Arts, Washington, D. C., 1987); Showalter E. The Female Malady: Women, Madness and English Culture, 1830–1980. New York, 1985; Representations: Special Issue on Sexuality and the Social Body in the Nineteenth Century. Berkeley, Spring 1986; Gallagher C., Laqueur T., ed. Nineteenth-Century American Women Artists (каталог выставки, Whitney Museum of American Art, New York, 1976); Moers E. Literary Women. New York, 1963; Nunn P. G., ed. Canvassing: Recollections by Six Victorian Women Artists. London, 1986; Burstein J. N. Victorian Education and the Ideal of Womanhood. New Brunswick, 1984; Taylor B. Eve and the New Jerusalem: Socialism and Feminism in the Nineteenth Century. London, 1983; Casteras S. Visions of Victorian Womanhood in English Art. London; Toronto, 1987; Nead L. Myths of Sexuality: Representations of Women in Victorian Britain. Oxford, 1988; Cherry D., Pollock G. Woman as Sign in Pre-Raphaelite Literature: A Study of the Representation of Elizabeth Siddall // Art History. June 1984. Vol. 7. P. 206–227; Nunn P. G. Victorian Women Artist. London, 1987; Marsh J., Nunn G. Women Artists and the Pre-Raphaelite Movement. London, 1980; Garb T. Sisters of the Brush. New Haven and London, 1994; Bergman-Carton J. The Woman of Ideas in French Art, 1830–1848. New Haven; London, 1995. Письмо в Совет директоров Пенсильванской академии — из архива Пенсильванской академии изящных искусств, Филадельфия.
Культ истинной женственности: Smith-Rosenberg C. The Female World of Love and Ritual // Disorderly Conduct. P. 53–76; Woolf J. The Culture of Separate Spheres: The Role of Culture in Nineteenth-Century Public and Private Lives // Feminine Sentences: Essays on Women and Culture. Berkeley and Los Angeles, 1990. P. 12–33. О викторианской приверженности женщины дому см.: Visions of Victorian Womanhood. P. 50.
Женские выставки в Великобритании, 1840–1900: Painting Women; см. также: Canvassing. Об обществе женщин-художников и круге Лэнгхэм Плейс см.: Painting Women. P. 8–9. Цитата о «женской силе» из: Visions of Victorian Womanhood. P. 50. The Englishwoman’s Review цит. по: Painting Women. P. 10.
Барбара Бодишон: The Woman’s Art Show. P. 51; Woman and Art. P. 66; Perry K. Barbara Leigh Smith Bodichon 1827–1891. Cambridge, 1991.
Эдит и Джессика Хейллар: Wood C. The Artistic Family Hayllar // Connoisseur. April 1974, part 1; May 1974, part 2; две другие сестры, Мэри и Кейт, тоже рисовали.
Клементина, леди Гаварден: Ovenden G.,
ed. Clementina, Lady Hawarden. London
and New York, 1974.
Ханна Калвик: Stanley L., ed. The Diaries of Hannah Culwick: Victorian Maidservant. London, 1984.
Ребекка Соломон: Vic Woman’s Art Show. P. 63; Nunn P. G. Rebecca Solomon // The Solomon Family of Painters (каталог выставки, Geffrye Museum, London, 1985).
Эмили Осборн: Women Artists: 1550–1950. P. 228; The Woman’s Art Show. P. 60; Dafforne J. British Artists: Their Style and Character, No. LXXV— Emily Mary Osborn // Art Journal. 1864. Vol. 26. P. 261–263.
Проституция: комментарий Westminster Review цитируется по: Visions of Victorian Womanhood. P. 131; representations of prostitution are the subject of Myths of Sexuality.
Братство прерафаэлитов и женщины: Shefer E. Deverell, Rossette, Siddal, and the Bird in the Cage // The Art Bulletin. September 1985. Vol. 67. P. 437–448; Bradley L. Elizabeth Siddal: Drawn Into the Pre-Raphaelite Circle // Museum Studies. 1992. Vol. 18. P. 136–145ff; Shefer E. Birds, Cages and Women in Victorian and Pre-raphaelite Art. New York, 1990.
Роза Бонёр: Our Hidden Heritage. P. 147–157; Women Artists: 1550–1950. P. 223–225; Stanton T., ed. Reminiscences of Rosa Bonheur. New York, 1976; reprint of London 1910 edn; Ashton D., Browne Hare D. Rosa Bonheur: A Life and a Legend. New York, 1981; Bonheur R. Fragments of my Autobiography // Magazine of Art. 1902. Vol. 26. P. 531–536; Klumpke A. Rosa Bonheur, sa vie, son oeuvre. Paris, 1908; Boime A. The Case of Rosa Bonheur: Why Should a Woman Want to be More Like a Man? // Art History. December 1981. Vol. 4. P. 384–409; Shriver R. Rosa Bonheur. Philadelphia, 1982; цитата из Daily News приводится по: Ms. Lepelle De Bois-Gallais F. Memoir of Mademoiselle Rosa Bonheur / trans. J. Parry. New York, 1857. P. 45–47; Chadwick W. The Fine Art of Gentling: Horses, Women and Rosa Bonheur in Victorian England / ed. K. Adler, M. Pointon // The Body Imaged: The Human Form and Visual Culture Since the Renaissance. Cambridge, 1993. P. 89–107; Saslow J. Disagreeably Hidden: Construction and Constriction of the Lesbian Body in Rosa Bonheur’s Horse Fair // The Expanding Discourse: Feminism and Art History. P. 187–205.
Женщины при империи: Neddie N., Baron B., ed. Women in Middle Eastern History: Shifting Boundaries in Sex and Gender. New Haven, 1991; Burton A. Burdens of History: British Feminists, Indian Women, and Imperial Culture, 1865–1915. Chapel Hill, 1994; Melman B. Women’s Orients: English Women and the Middle East, 1718–1918: Sexuality, Religion, and Work. Ann Arbor, 1992; цитата Нохлин — из: The Imaginary Orient // Art in America. May 1983. Vol. 71. P. 125.
Викторианские путешественницы: Middleton D. Victorian Lady Travellers. London, 1965; Mills S. Discourses of Difference: An Analysis of Women’s Travel Writing and Colonialism. London; New York, 1991; Robinson J. Wayward Women: A Guide to Women Travellers. Oxford, 1990; Birkett D. Spinsters Abroad: Victorian Lady Explorers. Oxford, 1989.
Женщины и движение против вивисекции: Lansbury C. The Old Brown Dog: Women,