со с. 322 и 326.
Натюрморт и цветочная живопись на севере: Greindl E. Les Peintres flamands de nature morte. Brussels, 1956; Hairs M. -L. The Flemish Flower Painters in the Seventeenth Century. Brussels, 1985; The Obstacle Race, ch. 12; Sterling C. History of European Still-life Painting. Paris, 1959. Каталоги важных выставок: Stilleben in Europa (Westfalisches Landesmuseum fur Kunst und Kulturgeschichte, Munster/Baden-Baden, 1979) и: Jongh E. de et al. Dutch Still-life Painting. Auckland City Art Gallery, New Zealand, 1983; о других женщинах, связанных с цветочной живописью см.: Heer M. de (active in the 1650s). Margaretha van Godewijk, and Eltje de Vlieger (см.: The Obstacle Race. P. 227–249; Stearns W. T. The Influence of Leyden on Botany in the Seventeenth and Eighteenth Centuries. Leiden, 1961); Бурхааве цит. по: The Embarrassment of Riches. P. 236.
Клара Петерс: Women Artists: 1550–1950. P. 33, identifies Peeters’s game piece as the first dated example of that type; P. 131–33; Benedict C. Osias Beert, un peintre oublié de natures mortes // L’Amour de l’art. Vol. 19. Paris, 1938. P. 307–314; Hairs M. -L. Osias Beert l’Ancien peintre de fleurs // Revue beige d’archéologie et d’histoire de l’art. Vol. 20. Antwerp, 1951. P. 237–251. Среди других женщин, в это время активно занимавшихся цветочной живописью, Анна Янссенс, Мария-Тереза, Анна-Мария и Франциска-Катарина, три дочери художника Яна Филиппа ван Тилена и племянница Франса Эйкенса, Катарина.
Тюльпаномания: Blunt W. Tulipomania. Harmondsworth, 1950; Posthumus N. W. The Tulip Mania in Holland in the Years 1636 and 1637 // Journal of Economic History. Vol. 1. Atlanta, 1929. P. 435–465; Coats P. Flowers in History. New York, 1970. P. 195–209.
Мария Мериан: Women Artists: 1550–1950. P. 153–155; The Art of Botanical Illustration. P. 127–129; Gelder J. G. van. Dutch Drawings and Prints. New York, 1959; Lendorff G. Maria Sibylla Merian, 1647–1717, ihr Leben und ihr Werk. Basel, 1955; Merian M. S. Metamorphosis Insectorum Surinamensium. Amsterdam, 1705; Merian M. S. Erucarum onus alimentum et parodoxa metamorphosis, in qua origo, pabulum, transformatio, nec non tempus, locus et proprietates erucarum vermium, papilionum, phalaenarum, muscarum, aliorumque, hujusmodi exsanguinium animalculorum exhibenter… Amsterdam, 1717; A Surinam Portfolio // Natural History. December 1962. P. 28–41; цитата Гёте на с. 32.
Мария ван Остервейк: Women Artists: 1550–1950. P. 145–146; Potterton H. Dutch Seventeenth— and Eighteenth-Century Paintings in the National Gallery of Ireland. Dublin, 1986. No. 125, 126; The Golden Age. P. 454.
Рашель Рюйш: Women Artists: 1550–1950. P. 158–160; Our Hidden Heritage. P. 99–101; Grant C. M. H. Rachel Ruysch 1664–1750. Leigh-on-Sea, Essex, 1956; Renraw R. The Art of Rachel Ruysch // Connoisseur. London, 1933. P. 397–399.
Глава 5. Любители и академики: новая идеология женственности во Франции и Англии
Ключевые работы по XVIII веку: Goncourt E. de, Goncourt J. de. The Woman of the Eighteenth Century [1862] / trans. J. Le Clerq, R. Roeder. London, 1928; Levy M. Rococo to Revolution. New York; Washington, 1966; Rosenblum R. Transformations in Late Eighteenth-Century Art. Princeton, 1967; Jarrett D. England in the Age of Hogarth. London, 1974; Honour H. Neo-Classicism. Harmondsworth, 1977; Freid M. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Berkeley and Los Angeles, 1980; Crow T. Painters and Public Life in Eighteenth-Century Paris. New Haven, 1985; Boime A. Art in an Age of Revolution: 1750–1800. Chicago and London, 1987; Starobinski J. et al. Diderot et l’Art de Boucher à David (каталог выставки, Hotel de la Monnaie, Paris, 1985); Perry G., Rossington M., ed. Femininity and Masculinity in Eighteenth-Century Art and Culture. Manchester and New York, 1994; Jones V., ed. Women in the Eighteenth Century: Constructions of Femininity. London; New York, 1990.
Королевская академия: Fidière O. Les Femmes Artistes a l’Académie Royale de Peinture et de Sculpture. Paris, 1885; Rubin J. H. Eighteenth-Century French Life-Drawing (каталог выставки, Princeton University, 1977).
Розальба Каррьера: Malamani V. Rosalba Camera. Bergamo, 1910; Gatto G. Per la Cronologia di Rosalba Carriera // Arte Veneta. Venice, 1971; Women and Art. P. 20–22; Our Hidden Heritage. P. 107–110; Bernardina Sani, Rosalba Camera. Turin, 1989. Замечание о Людовике XV цит. по: The Woman’s Art Show, 1550–1970. P. 14.
Пастель: Graf R. Das Pastell im 18 Jahrhundert:
Zur Vergegenwärtigung eines Mediums.
Munich, 1982.
Антуан Ватто: Watteau (каталог выставки, National Gallery of Art, Washington, D. C., 1984). О художниках круга Кроза см.: Painters and Public Life. P. 39–40.
Софи Шерон: Women and Art. P. 44; The Obstacle Race. P. 72–74.
Салоньерки: Landes J. Women and the Public Sphere in the Age of the French Revolution. Ithaca, N. Y., 1988; Lee V. The Reign of Women in Eighteenth-Century France. Cambridge, MA, 1975; Bermingham A. The Aesthetics of Ignorance: the Accomplished Woman in the Culture of Connoisseurship // Oxford Art Journal. 1993. Vol. 16. P. 3–20.
Мари Луар: Women Artists: 1550–1950. P. 167–168; Lafond P. Alexis Loir-Marianne Loir // Réunion des Sociétés des Beaux-Arts des Departments. Paris, 1892.
Франсуа Буше: François Boucher, 1703–1770 (каталог выставки The Metropolitan Museum of Art, New York, 1986); Lipton E. Women, Pleasure and Painting (e.g. Boucher) // Genders. Spring 1990. Vol. 7. P. 66–69.
Просвещение: Kleinbaum A. Women in the Age of Light // R. Bridenthal, C. Koonz. Becoming Visible. P. 217–235; Williams D. The Politics of Feminism in the French Enlightenment // ed. P. Hughes, D. Williams. The Varied Pattern: Studies in the Eighteenth Century. Toronto, 1971. P. 338–348; Wilson A. ‘Treated Like Imbecile Children’ (Diderot): The Enlightenment and the Status of Women // ed. P. Fritz, R. Morton. Woman in the Eighteenth Century and Other Essays. Toronto; Sarasota, 1976. P. 89–104; Spencer S., ed. French Women and the Age of Enlightenment. Bloomington, 1984; Rand E. Diderot and Girl-Group Erotics // Eighteenth-Century Studies. Summer 1992. Vol. 25. P. 495–516; барон д’Ольбах цит. по: Okin S. Women in Western Political Thought. Princeton, 1979. P. 103–104.
Жан-Жак Руссо: Schwarz J. The Sexual Politics of Jean-Jacques Rousseau. Chicago, 1984; Archer R. L., ed. Jean-Jacques Rousseau: His Educational Theories Selected from Emile, Julie and Other Writings. Woodbury, N. Y., 1964; Women in Western Political Thought. P. 99–196. Замечание о женщине и гении цит. по: Duncan C. Happy Mothers and Other New Ideas in Eighteenth-Century French Art // N. Broude, M. Garrard. Feminism and Art History. P. 213; замечания о женщине и рукоделии цит. по: The Subversive Stitch. P. 124. О традиции любительства см.: The Obstacle